LINKS:
WRITING / MEDIA:
Augury, film made with iPhone, 20’50’’, 2025
‘Inarticulations’ (pdf), essay by Susan Morris, in Lifework: On the autobiographical impulse in contemporary art, writing, and theory, MU Press, 2024
In conversation with curator Michael Newman: Toby Christian, Emma McNally and Susan Morris, for After Mallarmé, Part II, Large Glass, 2024
‘Periodic Textures (pdf), an interview with Susan Morris by Anna Nagele’, in The Posthumanist Issue #2: Rhythms, 2023
Silence (On Prepared Loom), permanent installation of Jacquard tapestries at the New Library & Study Centre at St John’s College, University of Oxford, curated by Modus Operandi, 2022
In conversation with Jen Bervin, Allyson Straffella and Susan Morris, for The Gorgeous Nothings, Bartha Contemporary, 2022
Introduction to ‘The Gorgeous Nothings’ curated by Susan Morris, Bartha Contemporary (pdf), 2022
Contribution to The Bacchae: A wild Reading List (pdf), compiled by Sharon Kivland for Scrambled Ontologies: A Fabulation, Sies + Höke, 2022
Contribution by Susan Morris to ‘The Kink in the Arc’, ongoing collective novel edited by Paul Becker (pdf), 2022
‘Manifesto (I Promise)’ (pdf), contribution by Susan Morris to A Manifesto of Sorts, Fifth Syllable, 2022
Online launch of On Boredom: Essays in Art and Writing, edited by Susan Morris & Rye Dag Holmboe, UCL Press, 2021
‘Twenty Years of Boredom’ (pdf), essay by Susan Morris, in On Boredom: Essays in Art and Writing, UCL Press, 2021
In conversation with Susan Morris and scientist Zach Gerhart-Hines, moderated by ‘The World is in You’ curator Kristin Hussey, 2021
‘On Underlining’, response to Becky Beasley / Claire Scanlon, QUOTATION MARK–QUOTATION MARK #3, Nero Editions, March 2021
‘Instagram Film’ for Kunsthaus Centre d’Art Pasquart, Biel/ Bienne, Switzerland, 23’27’’, 2021
Introduction: ‘A Day's Work’ (pdf), catalogue for A Day’s Work exhibition curated by Susan Morris at SKK, Soest, Germany, 2019
Susan Morris: Motion Capture Drawings, film for Bartha Contemporary, 2018
‘Susan Morris: Present / Absence’, Interview with artist Nick Koppenhagen for Kunstgespräch #9, 2017
Real Print: Posters by 52 Contributors, project by Rakish Light, Los Angeles, USA, 2016
Susan Morris, ‘Standard Deviation’ for Standard Deviation: Time and the Body, symposium at Drawing Room London, 2015
Artists Pick Artists: Interview with Susan Morris by Rob Colvin for Hyperallergic Magazine, 2015
‘Drawing in the Dark’ by Susan Morris, in Tate Papers No. 18 (Special Issue on Involuntary Drawing, edited by Margaret Iversen), 2012
‘The Penguin Freud Library’ by Susan Morris, from All the Libraries in London, 2012 (Project published as a book in 2023)
‘Loom Film’, 2012
ESSAYS / REVIEWS ON MY WORK:
Review of ‘Lifework’ by Rebecca Sykes in Burlington Contemporary, 2025
Camera consciousness: on Susan Morris’s ‘Concordances’ and ‘Silence (On Prepared Loom)’ by Margaret Iversen, in Burlington Contemporary, 2024
Review of 'After Mallarmé: Part Two… contingency, the operator...', by Andrew Chesher, Art Monthly No.479, September 2024
‘The Unspeakable’ (pdf), by Mario Furtado Fontanive, EXTRACT FROM A Margem, 2022
‘The Diaristic Mode in Contemporary Art after Barthes’ (pdf) by Margaret Iversen, in Art History: Volume 44, Issue 4, 2021
EXTRACT (pdf), from: ‘Repetition, Silence, and Futility’ by Ed Krčma, in A Companion to Contemporary Drawing, Edited by Kelly Chorpening & Rebecca Fortnum, 2020
EXTRACT (pdf), from: 'Towards a History of the Portrait, the Anti-Portrait, and What Comes After' by Michael Newman, in Anti-Portraiture: Challenging the Limits of the Portrait, Edited by Fiona Johnstone & Kirstie Imber, Bloomsbury, 2020
Ed Krčma: ‘Marking Time, Moving Images: Drawing and Film’, paper for Thinking Drawing 1960 to Now, symposium, Courtauld Institute of Art (section on Susan Morris at 11’15’’), 2019
‘Fortuna: Drawing, Technology, Contingency’ (pdf) by Ed Krčma, in O que nos faz pensar, 26 (40), 2018
EXTRACT (pdf), from: ‘Index, Diagram, Graphic Trace’, in Photography, Trace and Trauma, by Margaret Iversen, University of Chicago Press, 2017
Review of ‘No Secrets’ by Von Julian Ignatowitsch in Deutschlandfunk, 2017
‘One-Twenty-Two’ (pdf), by Briony Fer, in Self Moderation, catalogue published by Verlag für Moderne Kunst, 2016
‘Compelled to Count’ (pdf) by Sadie Plant, in Self Moderation, catalogue published by Verlag für Moderne Kunst, 2016
‘Marking Time: Susan Morris’ Tapestries and Diaries’ (pdf) by Margaret Iversen, in SunDial:NightWatch_Tapestry_Dossier by Susan Morris (Artist’s Book), 2015
‘The Anti-Portrait: Susan Morris’ Vicissitudes’, talk by Michael Newman for Standard Deviation: Time and The Body, Drawing Room London, 2015
Standard Deviation: Time and the Body, symposium at Drawing Room London, 2015
Involuntary Drawing, Tate Papers No. 18, Special Issue edited by Margaret Iversen, 2012
Introduction by Deirdre O’Dwyer (pdf), for Sontag Montag Five Years, London, 2009
‘Kafka’s Ear’, by Briony Fer, (pdf), in Sontag Montag, Five Years, London, 2009
‘Figuring Futility’ by Ed Krčma, (pdf), for Sontag Montag, Five Years, London, 2009
‘On Susan Morris, or, The Shadow of the Object’, by Margaret Iversen, (pdf), for Sontag Montag, Five Years, London, 2009
ARTIST GROUPS:
Member, from 2019 - 2023, of the Düsseldorf-based artist’s group DARKTAXA
Founder member, FIVE YEARS – a collaborative artists' project. With Marc Hulson and David Bate. Morris active from 1998 – 2000, then again from 2007 – 2009.
Curated shows at Five Years: What is a Photograph?, Silent Movies, and Deirdre O'Dwyer, Whatever Happened. Exhibitions at Five Years: Sontag Montag and False Friends (with Clive Hodgson)