LINKS:
WRITING / PODCASTS / MEDIA:
In conversation with Michael Newman, Toby Christian, Emma McNally and Susan Morris for Large Glass
In conversation with Jen Bervin & Allyson Strafella, moderated by Susan Morris for Preview
‘The Unspeakable’, by Mario Furtado Fontanive in A Margem, 2022
Introduction for ‘The Gorgeous Nothings’ catalogue by Susan Morris
Contribution by Susan Morris to ‘The Kink in the Arc’, ongoing collective novel edited by Paul Becker (pdf)
‘On Boredom: Essays in Art and Writing’, edited by Susan Morris & Rye Dag Holmboe, UCL Press, 2021 (pdf)
‘Twenty Years of Boredom’ by Susan Morris, in On Boredom: Essays in Art and Writing, UCL Press, 2021 (pdf)
Response to Becky Beasley / Claire Scanlon: Nero Editions #3, QUOTATION-QUOTATION, March 2021
‘Instagram Film’ for Kunsthaus Centre d’Art Pasquart, Biel/ Bienne, Switzerland
‘A Day's Work’, exhibition catalogue curated and edited by Susan Morris (pdf)
Interview about Motion Capture Drawings for Bartha Contemporary
Interview with Nick Koppenhagen, Kunstgespräche
‘Self-Moderation’, exhibition catalogue by Susan Morris, CentrePasquArt, Biel/Bienne, Switzerland, 2016 (pdf)
‘Tapestry Dossier’, by Susan Morris, published on the occasion of Standard Deviation: Time and The Body, Symposium, Drawing Room London, 2015 (pdf)
Interview in Hyperallergic Magazine
‘The Penguin Freud Library’ by Susan Morris, from All the Libraries in London
‘Drawing a Blank’ by Susan Morris, in Journal of the Centre for Freudian Analysis and Research, Issue 20 (pdf)
ESSAYS OR REVIEWS:
Review of ‘Lifework’ by Rebecca Sykes in Burlington Contemporary
Review by Andrew Chesher of 'After Mallarmé: Part Two...contingency, the operator...', Art Monthly No.479, September 2024 (pdf)
‘The Diaristic Mode in Contemporary Art after Barthes’ by Margaret Iversen, in n Art History (Journal of the Association for Art History), 2021 (pdf)
Review of ‘No Secrets’ by Von Julian Ignatowitsch in Deutschlandfunk, 2017
‘One-Twenty-Two’, by Briony Fer, in Self Moderation, catalogue published by Verlag für Moderne Kunst, 2016 (pdf)
‘Compelled to Count’ by Sadie Plant, in Self Moderation, catalogue published by Verlag für Moderne Kunst, 2016 (pdf)
Involuntary Drawing, Tate Papers No. 18, Special Issue edited by Margaret Iversen:
Catalogue introduction, Sontag Montag, by Deirdre O’Dwyer, Five Years, London, 2009 (pdf)
‘Kafka’s Ear’, by Briony Fer, in Sontag Montag, Five Years, London, 2009 (pdf)
‘Figuring Futility’ by Ed Krčma, in Sontag Montag, Five Years, London, 2009 (pdf)
‘On Susan Morris, or, The Shadow of the Object’, by Margaret Iversen, in Sontag Montag, Five Years, London, 2009 (pdf)
ESSAYS FROM GROUP EXHIBITIONS:
Compression by Ed Krčma, Enclave Books, 2015 (pdf - CURRATOR’S ESSAY)
‘Time Held Up’ by Ed Krčma and ‘Some Notes on Seeing Ghosts’ by Matthew Packer, both in Motion Capture: Drawing and the Moving Image, Lewis Glucksman Gallery, Cork, 2012 (pdf - CATAGLOUE)
SYMPOSIA
Standard Deviation,Time and the Body, Symposium at Drawing Room, London
Involuntary Drawing: Art and Automatism, Symposium at University of Westminster (pdf)
Involuntary Drawing: Art and Automatism, Symposium at Art Exchange, University of Essex
EXTERNAL LINKS TO SHOWS, ETC.
SILENCE (ON PREPARED LOOM)
https://www.wrightandwright.co.uk/projects/st-johns-college
https://www.sjc.ox.ac.uk/discover/news/the-study-centres-commissioned-tapestries/
https://www.modusoperandi-art.com/projects/st_john_college_oxford/
INTUITION
https://intuition.art/
EN L’OCCURRENCE
http://ceaac.org/expositions/en-loccurrence
NO SECRETS!
http://www.eres-stiftung.de/en/events/no_secrets_project.html
REAL PRINT
https://www.valentines.space/ http://www.rakishlight.com/index.html
SELF MODERATION
http://pasquart.ch/index.php?id=5&lang=en&eid=231
THINKING IN ALGORITHMS
http://scheubleinbak.com/exhibitions/thinking-in-algorithms
UND EINE WELT NOCH
http://www.und-eine-welt-noch.de
TIMEWARP
https://www.cracalsace.com/en/exhibitions/timewarp.html
WHISPER DOWN THE LANE
http://gallery400.uic.edu/exhibitions/whisper-down-the-lane
UNTITLED MOTION CATURE DRAWINGS
Susan Morris: Untitled Motion Capture Drawings, Art Exchange, University of Essex
FIVE YEARS – a collaborative artists’ project.
Founder member, in 1998, along with Marc Hulson and David Bate.
Later joined by Alex Shady, Edward Dorrian and Denise Hawrysio.
Morris active from 1998 – 2000, and then again from 2007 – 2009.
Curated shows at Five Years:
Deirdre O’Dwyer, Whatever Happened
Exhibitions at Five Years:
False Friends (with Clive Hodgson)
Five Years’ initial aim was to set up a gallery which was artist-run and where programming would maintain a direct relationship to practice. Five Years continues to develop this aim of maintaining close links between the production and exhibition of visual art, and the discourse which informs it.
Current membership: Charlotte Knox-Williams, Ilga Leimanis, Mia Taylor, Mike Murphy, Esther Planas, Sally Morfill, Louisa Minkin, Francis Summers, Rochelle Fry, Edward Dorrian, Alex Schady and Marc Hulson.